As a musician and researcher working in the field of applied ethnomusicology I have a special interest in the connections between music and language. My doctoral research explored the ways in which music can help to safeguard and revitalise endangered languages, with a special focus on the language of Jèrriais in my home island of Jersey. To download my PhD thesis click here.
This is the title and abstract summarising my thesis:
Êcliaithe Man Tchoeu [Light Up My Heart]: Applied Ethnomusicology and the Revitalisation of the Endangered Language of Jèrriais
Kit Ashton (2022)
Around 40% of humanity’s 7000 active languages are endangered and at risk of ‘death’ or, perhaps more accurately, colonial linguicide this century. Many researchers and activists are working towards linguistic and cultural justice and revitalisation, but the role of music in this process is under-researched. Jèrriais is an endangered form of Norman, unique to the British island of Jersey. This dissertation draws on autoethnographic fieldwork in Jersey, my home island, largely conducted over twelve months during 2017 and 2018. It investigates the ways in which music can help boost the status of a language, towards revitalisation. To this end, it aims to answer two central research questions: 1) How, and to what extent, can music help shape linguistic/cultural identity and language beliefs? 2) What can an in-depth applied ethnomusicological study tell us about the process and the potential for such musical language activism?
My theoretical approach connects key ideas from sociolinguistics regarding language revitalisation (e.g. language planning, language identity, language beliefs) with relevant work in music studies (e.g. music’s relationship to language, identity, and consciousness). I consider these issues in relation to the context of Jersey, particularly regarding Jersey’s deliberate anglicisation and the question of linguistic justice.
Fieldwork was oriented around four applied projects: recording an album with my own pop-folk band, Badlabecques; a school singing project to learn a Jèrriais anthem; a children’s choir that performed this anthem on a significant public holiday; and a community- based collaborative songwriting project. My conclusion discusses the encouraging ethnographic evidence alongside limitations and challenges. I argue that applied ethnomusicological interventions can aid revitalisation processes, particularly by positively influencing cultural identity and language beliefs, as part of a broadly conceived cultural revitalisation strategy that takes an ecological approach. I consider some of the wider implications of this, both within and beyond academia.